This is the first in a series of interviews with creative types who are doing things a little differently to the norm, and I’m delighted that the first interview is with my friend Nine, who also happens to be one of my favourite writers. I asked her to introduce herself:
I’m a freelance editor, zinester, traveller, and member of the redundancy club. I work while I’m on the road, and avoid paying rent by finding house sitting assignments. My where-next shortlist changes weekly.
My zines are If Destroyed Still True (about stuff that happens to me) and Sex Industry Apologist (based on my years as a staff member at a support project for sex workers).
Abyssinia, Henry is my primary blog these days, documenting where I’m at, but my other one is called Everyone I Ever Kissed, which is exactly what it sounds like: it’s been on hiatus for a while, but I’ll get on with it eventually. I also used to edit the LGBT and subsequently Deviance sections of The Skinny magazine.
Did you always know what you wanted to do (creatively) or has it been a process of trial and error to get to the point you’re at now? If it’s the latter, how did you decide what to focus on?
I pretty much always wanted to be a writer, though when I was a kid I wrote short stories and now I’m all about non-fiction. I like to read fiction by others, but real life is too interesting for me to make things up.
In my mid- to late teens I wanted to be a music journalist, and worked on that quite a bit, but eventually I got really sick of it – I felt like I was bluffing my way through it. I guess my motivation was wrong: I wanted to write about music because I loved music (and I loved getting free stuff, and getting onto the guest list reduced my chances of getting ID’d), but not because I loved writing about music.
I gradually realised that I’d been trying to sound like some sort of all-knowing observer with no discernible personality. I was writing in this voice because I thought that was what you were supposed to do. Then I discovered zines, and got more into punk and DIY scenes, and that kind of changed everything.
A lot of the zines I read had that confessional/memoir thing going on, which appealed to me. And I saw that actually, I could create something just the way I wanted it – I didn’t need to follow anyone else’s formula for what constitutes ‘proper’ writing or ‘proper’ publishing or whatever, and I could have full control of how it looked and where it went.
So then I wound up largely focusing on my own life, though often incorporating the personal-is-political approach. It’s always felt completely natural to me – I’m just writing in my own voice rather than taking a step back and pretending I’m not really there. Although I’m aware that my life might not be all that conventional by some people’s standards, it’s not actually about accentuating (perceived) difference. There are universal experiences to talk about, and I want to strike a chord with people.