I first became aware of Michael Nobbs through my friend Fabian (The Friendly Anarchist). As well as loving his artwork, I was impressed with the sense of calm, compassion and wisdom that he demonstrates when he writes about ‘sustainable creativity’ on his blog.
And of course it’s a topic very close in theme to ‘clear-minded creativity’ so I was delighted when he agreed to take part in this series.
I’m also seriously impressed at what he’s achieved despite being diagnosed with ME/CFS as he speaks about in more detail about below. I think the way he’s managed his illness is seriously helpful for anyone who struggles to find time to be creative, or indeed suffers from any kind of illness (or even psychological issues such as depression or low self-esteem which can also set people back from achieving what they want creatively).
So without further ado, let’s find out more:
Hi Michael! Please can you describe who you are and what you are up to at the moment?
My name is Michael Nobbs and I’m a full time artist, blogger and tea drinker (not necessarily in that order). Back at the end of the 1990s I was diagnosed with ME/CFS and over the last decade and a half I’ve learnt a lot about sustaining a creative career with limited energy.
I am author of the blog, Sustainably Creative. Between regular cups of tea I draw the everyday and ordinary things around me and post links to Twitter about drawing and trying to keep things simple. I recently released the first version of an ebook that I have been working on for a while, Sustainable Creativity*.
Did you always know what you wanted to do (creatively) or has it been a process of trial and error to get to the point you’re at now? If it’s the latter, how did you decide what to focus on?
My journey to where I am now creatively has been a bit of a winding one. When I was first diagnosed with ME/CFS I was working as a freelance writer and publisher.
My life had been getting smaller and smaller for a number of years as I’d struggled to keep working (and making money!) whilst I was very slowly (almost in perceptively) getting progressively iller. In the end I basically had a breakdown and started on a six month medical treadmill that finally ended up with a diagnosis for ME/CFS.
The relief of a diagnosis was huge. I was told to give up trying to work, and basically took to my bed and rested and slept and began the slow process of learning to look after myself and my energy levels.
During that period I picked up Julia Cameron’s wonderful The Artist’s Way*
and rekindled a wish to be a visual artist that had become lost somewhere in my early teens.
As energy allowed I began to take some art classes, drawing first and then painting. I loved painting, and for a while painted some very large landscapes, but the energy entailed in working in paint on the scale I wanted was really more than I could cope with. As hard as it was to accept, I finally came to the conclusion that I would have to find a “smaller” more energy-considerate way of working.
In 2004 I came across two artist’s blogs, one by Keri Smith and the second by Danny Gregory. They both draw a lot, and tended to draw the things around them. I was inspired both by their drawings and the fact that they blogged.
I began to make small drawings and posting them to a blog. I realised that the process of drawing and blogging was something I could generally sustain, and I loved the feeling of achievement I felt from finishing a little drawing and posting it online. I realised that feeling that I had accomplished something (and would be able to do so again) was a huge boost to how I saw myself; instead of often feeling defeated and exhausted by the things I tried to do I found I felt buoyed up by doing something sustainable.
Eventually I studied for an MA in fine art and now drawing and blogging are central to my creative life.
How do you define success?
For a very long time success meant getting through the day and remaining as positive as possible. Getting successfully through the day was measured by things like keeping myself fed and watered and my home reasonably together. If I could also make a small drawing and post it to my blog then that was often the icing on the cake.
Over time though, as my health has improved I have found myself wanting more. Studying for my MA (part-time over a couple of years) felt like a huge success to me, both creatively and in terms of learning to manage my energy levels.
Now a few years on from my MA I’m beginning to measure success in more financial terms. I spent a decade and a half on a very low income and over the last couple of years I’ve been working at increasing my income. I want to end 2011 earning at least £2000 a month (about US$3200) from my creative work, and I want to be earning it in a personally sustainable way. I went public with this aim a couple of weeks ago and have also launched a subscription based newsletter for anyone who would like to follow my progress (and maybe learn a little along the way too).
What in your opinion are the positives and negatives of technology when it comes to both creating and promoting your work?
Michael Nobbs – drawn iPad
I’m a technophile and happy to admit it. I think technology and the Internet offer huge opportunities to creative people who are willing to embrace them. Should we wish we can all be our own publishers, gallery owners and PR companies.
Do you collaborate with others or prefer to work alone, and why?
I prefer to work alone. This year I announced that I was no longer going to be directly exchanging my time for money. That means I’m no longer going to be working with or for people in the conventional way of being paid for providing a service or my time. Instead I’m going to concentrate on producing my own work, which I will either give away or sell via the web.
I’ve been moving in this direction for a while, reducing the amount of freelance work I undertake, and spending much more time working on my own projects and being in charge of deciding my own schedule.
I’ve learnt that this is by far the most sustainable way for me to work. Not having to deal with other people expectations (no matter how understanding they can be about my limits) is very liberating.
Is community important to you – either local or online – and if so, why?
Yes community is very important to me. I meet with a group of writers once a week and value their support and input hugely. I also have group of online creative friends who I keep in touch with via Twitter, Facebook and email.
I’ve always found consistency difficult in terms of learning a craft and then practicing it regularly – is this something you’ve mastered and do you have any advice on how to maintain this?
Focus and practice Easier said than done I know. I learnt a long time ago that having severe limits to my energy meant that I needed to be very selective about what I chose to use my energy for. It made far better sense to focus on one manageable creative practice than to spread myself thinly.
Moreover it was better to work on what was important to me regularly and in small pieces of time. Little and often really can build up a creative body of work. Even just twenty minutes a day can make a difference.
Thanks Michael, excellent advice indeed! Are you inspired by this interview and Michael’s gorgeous drawings? Why not say hello in the comments.
Enjoy this interview? You can be one of the first to read Michael’s new e-book Sustainable Creativity*, which includes inspiration and advice to help people with low energy or limited time (or both) maintain a creative life. It’s also beautifully illustrated by Michael himself (of course!) You can also download his free e-book Start to Draw Your Life.
*As you might have guessed these are affiliate links. Yes, I’ve liberally peppered this article with desperate attempts to make a pittance of small change because I’m determined to prove that I can earn some cash doing something I enjoy, in this case interviewing amazing people and letting you know about them